A while back I was reviewing a match video of a good college player with her. She was amazed by what she saw in that before viewing the video she thought her crosscourt shots were reaching the 4, but they weren’t. They kept dropping into the 3 or the 2. As a result, her shots weren’t having the impact she intended. Frustrated by this, she had a decision to make, keep hitting into the center corridor the rest of her tennis life, or venture out into the singles alleys when she had the opportunity. How about you?
Musicians have their seven notes. Artists who paint have three primary colors. Culinary artists can work wonders on your five basic tastes. Good tennis players learn to execute and then orchestrate the 7 shots in order to improve their match performance and level of play. Good players develop shots they can depend on. In addition to their best shots, they also learn and rely on their best plays, that is shots in combination with other shots.
Our view of tennis is that starting with the return of serve there are just seven shots and all shots are defined by where the ball landed and in the cases of the 4, the 5 and 6 the direction from which they were hit. It makes no difference whether a ball that landed in the 4 was hit from on top of the net or from 10 feet beyond the baseline, it’s a 4 so long as it was hit on a diagonal. Likewise, the 5. The 6 is a 6 because it was hit down the line into the singles alley. For shots that land in the 3, the 2, the 1 or the 7, we are less concerned about the direction from which they were hit.